I’ve known Amy forever, she’s incredible. I saw her at every local South Florida concert when we were growing up. When I moved to Los Angeles I would show up at her house unannounced every week just to bother her. She is the founder of Fiddler Records, a very important institution in the history of South Florida indie music. Her book, A Million Miles, was recently published and has been getting rave reviews. Be sure to check out her links at the bottom because it’s hard for me to wrap up everything she does in a quick intro. I think you’re gonna like this one!
01. What’s your typical morning routine? How do you get your day started?
I wish I could tell you that I run five miles or that I write a thousand words by 10 am… But I can’t because I don’t. My morning starts when my five month old daughter, Elle, wakes up. Sometimes it’s at 5:00 am… Sometimes it’s at 7:00 am… But no matter the time my day starts with her. There’s a lot of singing, some dancing, and of course diapers… Lots and lots of diapers.
02. I’ve known you since the late 90s. We met in those exciting days in South Florida when everything seemed possible, every band was going to get huge. How did you get involved in that music scene? And is it still part of your life?
I have no idea how not to answer this without sounding like a total asshole… But I’m on a bit of a tight schedule (see answer #1) so let’s just get to the good stuff.
03. Your record label, Fiddler Records signed some bands that actually did go on to huge success (New Found Glory, Dashboard Confessional, etc.) This is probably a complicated question, but how did you go about negotiating these artists’ contracts away to major labels? Was that hard?
You’re right, that’s a very complicated question. To put it simply, I didn’t. Bands get big and when they do they don’t always play fair (and to be fair that doesn’t only apply to bands). It was hard because there really wasn’t any negotiating. I worked with bands and put out records that no label would have touched in a million years… Then when a few thousand copies sold it was clear to people what was going on and I had bands muscled away from me with the illusion of points and royalties that were never paid. To be really fucking honest, it sucked. It still sucks.
04. You moved from South Florida to Los Angeles forever ago. I believe you’re living in New York City now. Was moving away from home a necessary step in your personal growth? If so, did you know it would be then?
I’m back in LA now, but yeah I knew. Something in me always knew I needed to leave Miami. I traveled a little bit with my parents when I was growing up and as soon as I could drive I was never home. I’ll make something up and call it the Oyster Theory–let’s just say you’ve got to get a little itchy to make something beautiful.
05. You had your first book A Million Miles published last year. Just the task of writing a book seems like sort of an impossible endeavor, but you wrote it, got it published and it’s gotten incredible reviews. What made you want to write a book?
I thought I was going to die. I had a tumor growing on my thyroid and doctors couldn’t tell if it was cancerous or not–so I started to really think about ‘the end’. I’ve always wanted to write about music and touring and nothing gives you quite a dose of the hurry-ups like terminal feelings. I think I’ve really only talked about this publicly once before–at my Miami book signing–one of my doctors was there and someone asked a similar question and it felt wrong to withhold the truth with my doctor looking right at me. I don’t usually like to talk about it because I don’t want the whole story behind my book to be clouded with the big ‘C’, but I guess you caught me in an extra truthful mood. It’s late. I’m tired.
06. What advice would you give to someone wanting to get a new indie label started? Is that type of bedroom business completely dead?
I think that type of bedroom business is more alive than ever, but I’d tell whoever this wonderful young entrepreneur is that being a label is a lot like being a bank. Sure there’s an art to it, and there’s a need for talent, but at the end of the day the bottom line matters–and that’s a bummer. If you’re the softy emo type (like me) it might not be the best use of your time. Or maybe it is. Just go into things with your eyes open, and read everything you can. And email me if you have a question!
07. Can you describe a moment when you felt like you really made it? What did that feel like?
No, never. I still stare blankly into nothing at all and daydream about different careers and projects I want to start. I feel like I haven’t really accomplished anything. My mom is pretty psyched about the book, though, so that’s nice.
08. Are you working on anything new right now that you’re excited about?
I’m writing what seems to be the next installment (I really don’t want to say sequel) of A Million Miles. I’m also messing around with something that could maybe be a movie? I don’t know. I’m learning how to be a mom, so that’s wild.
09. What is currently inspiring you and in what way? (book, movie, song, podcast, anything really…)
Ugh. Is it horrible to say nothing? Maybe it’s food. Food, yes, let’s go with food. Jon and Vinny’s on Fairfax is fucking inspiring, that’s for sure. Try the meatballs. And my family. My family inspires the ever living shit out of me. Oh, and this young kid, Troye Sivan. His record ‘Blue Neighborhood’ is all I listen to these days. My friend Malia James directed a video for him and it’s stunning.
10. How do you end a typical day? What do you do to unwind?
What is this unwind that you speak of!? If I have an hour of mental stability left at the end of the day I enjoy a good snuggle on the couch with my husband. You know that scene in Titanic with the old couple holding each other on the bed as the water rushes in? Yeah, that’s us at the end of a long day, just add two cats. It’s adorable.